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Two bags of jelly beans, a ten-year old and a Tilt-A-Whirl.

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User: Jiggsy
A thirtysomething living in the Armpit of America, New Jersey. With a wife, a house, a four-legged bullet named Maggie and a child on the way.

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Thursday, December 11, 2003

The reports of my death have been greatly exaggerated. It’s the standard holiday rush, where everything at home and work must be done before the ball drops in Times Square. This means that to successfully complete all that is asked of me in the time allotted, I have exactly enough time each day to drive home, kiss my wife while simultaneously shoveling food into my craw and then drive back to the office while I’m asleep. Laugh if you wish, but there’s a good chance that I’ll be unwrapping gifts inside this cubicle.

The tooth is still bothering me. Actually, it feels more painful than it did before the dental work, but I’m not saying much of anything. My teeth are sensitive enough that even a professional cleaning can leave them aching for a day or two. Chances are it may be the swelling or the second operation will take care of it. Until then, I just about scream anytime anything two degrees hotter or colder than room temperature makes contact with the tooth. Lukewarm coffee anyone?

Em called me yesterday. Always great to hear from her. Three years ago, she was a summer intern at work. She was planning to get into engineering, but the internship proved that it just wasn’t her bag. We were desperate for work that summer, so she spent most of her time making sketches for me to decorate my cube with. I still have her geisha girl she made based upon the Arizona Green Tea label. Her show will be coming to a loft in NY soon enough.

Anyhow, now she’s working on a degree at forensics in New York. I’m waiting for the Christmas photo cards that will show her gleefully smiling over an open chest cavity, wishing us peace on earth while she pulls lead slugs from a Mafia stoolie.

Oh, the reason she called? She got to work early and was locked out of her office. In Brooklyn. I take particular delight in getting calls from out of the blue like this.

Was looking for some content to talk about and found it on the High Hat. Erin McKean who, startlingly, looks almost identical to my friend Em (how’s that for an impromptu segueing), wrote this wonderful article on music sharing here. Finally, someone got it right! MP3’s and file swapping are a force to be reckoned with. This is not just a bunch of college kids trying to save some bucks or stick it to The Man, this is going to be the future of the media industry.

File swapping, legal or otherwise, frees you from several major obstacles. The first and most important is albums. Before file swapping came of age, most musicians would turn out an album with a few gems and the rest just filler. Even if you liked only one or two songs, you had to take the bitter with the sweet and buy the whole album. Not anymore. With sites like iTunes and others quickly following, you can buy the whole album or just one song. And, often at 99 cents a song or less, everyone’s happy: you’re getting only the music you want to hear and the musicians are getting their cut in the profits.

The second is storage. No longer will you need to lug a backpack of CDs around (only if you want to, you masochist you). MP3 players like the iPod can store in excess of 4,000 songs on a single device. I’d have trouble coming up with 400 songs I’d like to hear right now, let alone 4,000. And these songs can be heard anywhere. Listen at home through the computer or piped through your stereo. Listen to it while driving. Listen while on the Stairmaster, working off that second helping of sausage stuffing. I’m sure they’ll eventually make a waterproof version for those who need to hear the Rolling Stones while scuba diving.

And the device can play in any order. Go ahead, put Pavarotti next to DMX. Eminem and Wayne Newton can peacefully coexist. Compare covers of Morrisey’s "How Soon Is Now" with the original. It’s your ears, listen how you want to. CD’s, even burned mixes, limit you to the order they’re in, save the occasional hit on the Shuffle button. I made the mistake of putting the White Stripes "Seven Nation Army" on a bunch of mixes, only to find it on the radio about every seven minutes. I’ve had enough of hearing Mr. White whine about going to Wichita. Fine, go to Topeka. Or Boise. Just get out of my speakers.

The crux of the problem with this new music buying format is the format itself. The entire music industry is based on record sales. Musicians are paid by the amount of records they sell. Reviews, both good and bad, are based on the entire album, not a few key songs. A band’s popularity and newsworthiness stems from how many people know them through a combination of media hype and record sales. A local band member who assaults a fan would barely get mention in the town police blotter. Someone sues Marilyn Manson for sneezing on them and suddenly Peter Jennings is weighing in on the situation.

When the RIAA started going after file swapping services, they were primarily concerned with getting the musicians their fair share of the profits. A good idea at first, but it’s kind of like getting rid of a swarm of bees by hitting the hive with a stick. Illegal file sharing has been around almost since ENIAC and it’s not going to go away. Stem the tide if you like, but you can always expect some attrition. By allowing legal music downloads, I think the music industry only made it worse for themselves. How do you judge record sales when everyone only buys a pittance of the songs on that record? Does Rolling Stone start discussing Ms. Aguilera’s new single instead of the whole album? And what happens to the brick-and-mortar stores? Will they be reduced to a select few for those who prefer holding shiny expensive plastic in their hands? Or will they morph into audio ATMs, just slip in your credit card and download directly to your player? (Hey, that’s a good idea…)

All I know is that, outside of a few high quality recordings of jazz and blues music, I’d rather have my music in electronic format on an iPod or something similar. Are you reading this, Santa?

posted by: Jiggsy at 12/11/03 11:44 | link | comments (2) |


Comments:
#1  11 December 2003 - 12:07
 
Hola, Jiggsy. Morrisey, uh, was the lead singer of the Smiths, who, uh did "How Soon is Now", right? you might mean the Psychadelic Furs cover. but then again, someone else may have penned the song, only to have the Smiths make it popular (or whatever). It just so happens that we are listening to Meat is Murder in class, and the download v. album debate is happening live on a daily basis. Most are in favor (at that tender, sweet, age) of free downloading...but the facilitator and musician in me says that Itunes is the future, as long as that doesn't A) make the most famous of the famous less money(beacuse i'm tired of their bitchy rants being made public by the publicist of the hour) or B)squash independant music. But what would i know. I still play vinyl, i have hundreds of cassette tapes, and still buy albums, even though i know i could just look it up and burn it. I feel some respect for the musicians and the other folks involved in putting together albums, they are curators of a sort, and there is a way they want me to experiece an album - the segue, the progression, the beginning and the conclusion. And i appreciate that. so i'll go home today, and put in a great album (i mean vinyl). Today's choices warrent either Bruce or Branford Marsalis ("The Peacocks" is a beautiful song on a day like this). Maybe you (the royal you) should too. ciao. pirate kate
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#2  11 December 2003 - 15:29
 
Apologies on the Smiths v. Morrisey comment. And, truth be told, there are about a half dozen covers of the song by various bands that I know of already. It's starting to border on being a standard. If anything I think it will force the hand of musicians great and small to come up with better music. If anything, quality independent music will probably gain listeners because of the global marketability. I like the curator comment. True, it does feel wierd to not be able to hold an album or CD, to read the liner notes, to smell the newness of your purchase. And so too there is a progression in the songs of both tempo and mood that cannot be gotten except by listening to an album from start to finish. But I would gladly sacrifice these things for better music and a few more open shelves in my house.
User: Jiggsy Contact me View user's mediablog Jiggsy
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